It is also a joint work of the museum and the city district Society “Education”.

It was really a “prince’s funeral” as the participants of those events would write later. Short return In the first years after the death of Andrei Tchaikovsky, memorable academies took place in many cities and towns of Galicia, and even in Krakow, where under the leadership of the writer Bohdan Lepky, a committee was established to honor the name of the glorious countryman. A museum was opened in Brzezany, which was headed by Dr. Franz Kokowski before the Second World War. And in the newly created Kolomyia Museum of Folk Art of the Hutsul region, a memorial corner of the writer opened its doors, the interior of which consisted of a desk, on which among the stationery were goose feathers, next to it stood a soft plush armchair and Viennese tablecloths. on the walls of the photo, a life portrait of A. Tchaikovsky’s painter M. Anastasievsky, a posthumous painting by Yaroslav Lukavetsky, a pair of hand-made oak frames brought by his grandson, a student of the 3rd gymnasium class Andriy Stavnychy. The interior of the room is evidenced by the then “Census Leaflet” issued on the occasion of the VI Congress of Museum Workers, which took place in Kolomyia on June 5-6, 1938. Forced oblivion Thus, the works and activities of Andrei Tchaikovsky as a representative of the “bourgeois-nationalist” leadership of the region fell into disrepair. Immediately after the Second World War, party officials banned the exhibition of photographs in the museum, where in 1914 in Lviv, A. Tchaikovsky was depicted with Archduke Frederick. In 1955, the Central Committee of the Communist Party issued an order according to which it was necessary to clean museum exhibitions and repositories of ideologically harmful things that did not coincide with the Soviet model of building socialism. Fortunately, all things were transferred to the Tchaikovsky family, in particular his son Andrew. At one time he did a lot for the development of the library business in Kolomyia, but with outsiders he did not want to talk about his father … The exception was 1958, when the Lviv publishing house “Kamenyar” published a collection “For my sister “” Neutral works, it would seem, and made a lot of publicity in both opposing camps. It was still a long way before the ice of silence completely disappeared. On the Threshold of Independence The evening of July 13, 1988, when the community organized by the local historical and cultural society “Postup” marched with wreaths to the grave of Andrei Tchaikovsky to commemorate the anniversaries of his families. But even there, the cemetery was very crowded, a fresh wind of change was in the air. Here, for the first time, the free speech that the nation longed for sounded openly. Later, almost all participants of the action were persecuted by the so-called militiamen. People of the older generation, who shared their memories near the tomb, suffer ed from humiliating interrogations and fines https://123helpme.me/write-my-lab-report/. Among them were actor Ihor Saliy, retired teacher Volodymyr Pryhrodska …, but no one repented for what he had done, and on the contrary, these people borrowed A. Tchaikovsky’s books from their secret hiding places to everyone who wanted them. Thus in the Pokut capital there was the first wave of elation and indignation to those in power, which swept them away. The following year, with the permission of the City Council, memorial evenings were held, and an exhibition of Tchaikovsky’s memorials, which were waiting for their time in the funds, was opened in the museum. At that time, a delegation from Brzezany was among the many visitors, who presented a portrait of the writer in memory of the long-awaited meeting. On June 1-2, 1991, Kolomyia residents also paid a visit to Sambor, and the Tchaikovsky family was visiting us more and more often. The grandson of the writer, conductor and musician from Ivano-Frankivsk Andriy Andriyovych Tchaikovsky became a true companion of the museum workers. Funeral services were held without fear for the repose of his soul, and plays were staged, literary and scientific readings were held, and a white banner fell from memorial plaques, as was the case during the great population movement on May 16, 1992 in Kolomyia ,, where the artist of the word lived. The author of the high relief project is S. Toporkov. The event was conducted by the chairman of the city district society “Prosvita” Vasyl Hlagolyuk, the chairman of the city council Volodymyr Mashtaler and other participants of the action had a welcoming speech … And in the middle of these gray walls a literary exhibition was ready for viewing. The celebration ended in the People’s House with a joint concert of amateur art groups staged by local amateurs, as well as from Sambor and Brzezany, where, incidentally, the regional center of Ukrainian books offered a dozen different editions of works by A. Tchaikovsky, which enjoyed increased popularity. On the occasion of the 60th anniversary of the sad date, from the day of A. Tchaikovsky’s death, an action took place in the KMNMGiP, which became an event in the cultural circles of the city and beyond. It is about the first well-illustrated book “Andriy Tchaikovsky: touches to the portrait against the background of Kolomyia” by journalist, literary researcher Mykola Vasylchuk, and long-term security guard Lubomyr Krechkovsky, published in 1994 by Kolomyia publishing house “Vik” … It is also a joint work of the museum and the city district Society “Education”. For such a gift on behalf of 28 great-grandchildren, the Kolomyia community thanked Fr. Gleb Tchaikovsky from the USA. The period of revival on June 8, 2003 in KMNMGiP again celebrations on the occasion of restoration of A. Tchaikovsky’s memorial room. As part of the celebration, a three-volume presentation “Andrei Tchaikovsky. Memoirs. Letters. Documents.” The director of the museum Yaroslava Tkachuk had an introductory speech. Mayor Bohdan Yuraschuk delivered a welcoming speech to the audience. Lviv guest, candidate of historical sciences, director of the Scientific Library of Lviv National University named after Bohdan Yakymovych told Ivan Franko about how he worked on collecting materials for the mentioned publication. Nadiya Volynets, director of the Brzezany Book Museum, Yaroslav Polataychuk, head of the Kolomyia Postup Society, and Andriy Tchaikovsky’s grandson Andriy Stavnychy shared their thoughts on the remarkable event. Today, A. Tchaikovsky’s room is completely recreated according to the pre-war model, and supplemented with furniture, art products made of ceramics, iron, wood, which would correspond to the era in which Andrei Tchaikovsky lived and worked, in particular:

portrait of the writer himself, which was painted by Nikolai Anastasievsky in 1929; canvas, oil, 68×58 cm (inv. No. 9589); “A. Tchaikovsky on his deathbed” by Yaroslav Lukavetsky, 1935; canvas, oil, 51×41 cm (inv. No. 9535); 80 photographs from the funeral of A. Tchaikovsky, in a frame, size 14×9 cm, on a solid, integral basis (inv. No. 229); Photo by A. Tchaikovsky with the company, 1901; 17×20 cm (inv. No. 228); 4 goose feathers about 30 cm long (inv. No. 227); diploma of legal education in the name of A. Tchaikovsky, written on parchment, next to it a tin case from him; 48×65 cm (inv. No. 226); a table clock from the Tchaikovsky room; (inv. No. 225); photo of A. Tchaikovsky’s meeting with Archduke Frederick in Lviv, 1914; 10×16 cm (inv. No. 248); armchair; 65x62x105 cm (inv. No. 223); Burko; 145x85x85 cm (inv. No. 224); laurel wreath, silver, weight 371 gr, inscription: “Dear Dr. A. Tchaikovsky on the 40th anniversary of literary and public work of the Ukrainian institutions of the city of Kolomyia. 03/02/1929”. (inv. No. 8938); silver diver; length 37 cm, weight 280 g, inscription “Koshovo Berezhanska Sich 04/26/1914” (inv. No. 8939); posthumous wreath: red viburnum, decorative crosses, and sabers crosswise, without number; A. Tchaikovsky’s frame (figured carving), oil painting “Taras Bulba with his sons on the Sich” by Bohdan Lepky, 110×80 cm (inv. No. 298); photo portrait of A. Tchaikovsky: 42×50 cm (inv. No. 246).

In a separate window, from the private collection of Ivan Vyshivanyuk, there are books by Kolomyia publishers that were published during Tchaikovsky’s life: the collection “Kornienko” “For my sister” and “Petro Konashevich-Sagaydachny” “Moscow Tsar Dmitry the Impostor” “Khotyn case” Ryast “publishing house.” On the outskirts “” Olyunka “In someone else’s nest” with the circulation of “Record” “Brothers” and Dmitry Nikolishin’s essay “Andrei Tchaikovsky”. Sources:

Brzezany in the memories of emigrants. – Ternopil, 1993; Tchaikovsky A. Stories. – Lviv: “Kamenyar” 1989. – 336 p.; Vasylchuk M., Krechkovsky L. Andriy Tchaikovsky: Touches to the portrait against the background of Kolomyia. – Kolomyia: “Age” 1994. – 29 p.; Andriy Tchaikovsky: Memories. Leaves. Research: In 3 volumes – Lviv, 2002. Fights: Almanac, Drohobych 2005.

11.03.2011

Poet, philologist, linguist Agatangel Krymsky

The name of Agatangel Krymsky is a poet, philologist, one of the most prominent linguists in the world, a connoisseur of Sanskrit, Eastern and Western languages, widely known not only in Ukraine. It was Krymsky who became the secretary of the Ukrainian Academy of Sciences founded by Hetman Pavlo Skoropadsky and headed its historical and philological department.

He worked out “The most important rules of Ukrainian spelling”. In 1970, the name of the Ukrainian academician was included in the list of outstanding figures of the UNESCO world. On January 25, 1871, the future prominent figure of Ukraine was born in Volodymyr-Volynskyi. For some time he studied at the gymnasiums of Ostroh and Kyiv. In 1885 he entered the College of Pavel Galagan in Kyiv, where P. Zhytetsky had a significant influence on its formation. After graduating from the college (1884) A. Crimean was fluent in German, French, Polish, Greek, Italian and Turkish. In 1892-96 he studied at the Lazarev Institute of Oriental Languages ​​in Moscow, and from 1896 at the Faculty of History and Philology of Moscow University. A. Krymsky took an active part in the Ukrainian national life. In the 19th century, he corresponded with well-known figures of Ukrainian culture – O. Ogonovsky, B. Hrinchenko, I. Franko and others. During this period of his activity, K. conducted a scientific controversy with Sobolevsky, who propagated M. Pogodin’s hypothesis that the ancient Kyivans were Russians who had retreated to the north only during the Tatar-Mongol invasion. In 1896-98 he was on a research trip to Syria and Lebanon. In 1898−1918 A. Krymsky taught Arabic, Persian, Turkish and the history of the Muslim East at the Lazarev Institute of Oriental Languages ​​(since 1900 he was a professor). After the establishment of Ukrainian statehood in 1917, A. Krymsky decided to return to his homeland.